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This is shockingly (but not that shockingly) an inequality issue that still runs rampant on almost every other network and platform, wherein female nudity is almost always full-frontal, but male nudity is what I like to call full-frontal Lite.
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Starz is also one of the few networks that emphasizes equality between males and females when it comes to full frontal sex scenes. Seeing a Muslim PoC queer man on mainstream television is not something we see often, but it’s definitely something I want to see more of.
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I also loved that Salim’s character was explored through the rest of the season, which was a welcome deviation from the book (wherein Salim is not seen again after the encounter). The scene itself is tender and artful, balancing a powerful beauty amidst an explicit depiction of sex. As it is, PoC queerness is only something that is explored more in the mainstream recently, so this scene was particularly amazing. So, you can imagine how “taboo” this pairing is). The sexual (and later romantic) relationship showed viewers a representational pairing that is almost never explored onscreen, and that is one between two Middle Eastern men (and to top it off, Salim is Muslim, and the Jinn is a supernatural being in Islamic mythology.
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I want to take a moment to highlight what was probably the most revolutionary scene of the Season, and this is the one that happens in S1E3 between Salim and the Jinn. In a show where there are so many characters, Fuller and Green were still able to ensure that each of these PoC and queer characters were given enough screen time to properly explore their arcs. Then we have Salim, a gay Muslim man, played by Iranian actor Omid Abtahi, and the Jinn/Ifrit, Salim’s love interest who is played by Arab actor Mousa Kraish. Ibis, respectively) are also played by black actors. Nancy), the Queen of Shiba (Bilquis), and Egyptian gods Anubis and Thoth (called Mr. Our main character, Shadow Moon (played by Ricky Whittle) is a black man, and prominent characters like trickster god Anansi (called Mr. What particularly kept me engaged with Season 1 was not just its cohesiveness, but the specific ways in which representation for its various diverse characters were shown. Having Green onboard was also an exciting choice, as he has worked as a writer and producer for many shows and films, some of the most popular being Logan, Alien: Covenant and Blade Runner 2049. As well, Fuller almost always uses his work to break barriers that many others are too afraid to broach. When you watch a Bryan Fuller show, you know you’re in for stunning visuals and artful cinematography. Though I haven’t necessarily watched all of these shows, I’ve seen enough to know that Fuller’s work is auteuristic by nature. I was personally most excited about Fuller’s involvement, who’s known for writing and producing brilliant shows like Hannibal and Pushing Daisies, and executive producing Star Trek series’ Deep Space Nine, Voyager, and Discovery. (And that’s not even including the personifications of the “New Gods”, which take on the form of Media, Technology, and others).Īll of these amazing themes were made better by Season 1 showrunners Bryan Fuller and Michael Green. In this season alone we see Norse, West African, Egyptian, Irish, Roman, Slavic, Islamic, and Pagan deities and figures explored.
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Plus (and Neil Gaiman himself is to thank for this one), I’ve always been a fan of any medium that delves into mythological lore and religious themes, so it was incredibly exciting to see a show do exactly that, and with a huge variety to boot. Season 1 was comprised of an artfully crafted eight episodes, creating a cohesive story that simultaneously delved into a diverse set of characters’ stories. There was no trace of frivolous fluff in any episode-this was prestige television. The pilot season of the show had everything that I look for in a series: it had a captivating plotline, it pushed boundaries in its narrative explorations and visual choices, its PoC and LGBTQ+ characters were at the forefront of the show, and every single episode had me absolutely hooked.
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And I think almost anyone who watched it can agree that it started off with a bang. American Gods, based off the novel of the same name by Neil Gaiman, graced the small screen with its first season back in 2017.